"Exile in Guyville," released in 1993 on Matador records, is an excellent, groundbreaking album. It is early `90's rock `n roll at it's best, with a fresh, new sound, both quirky and powerful, exploring the timeless problems of love and life with freedom and daring. It is solid rock `n roll, anchored securely in the guitars, rhythm, bass and drums tradition going back to Elvis. But against the crunching guitar chords and tougher than tough rhythm sections, the melodies are often odd and chromatic. Phair sings with confessional honesty about self-doubt, sexuality, power, and the contradictions, disappointments and compromises inherent in life. Nothing is off limits, nothing is too intimate or personal. The only requirement seems to be that the songs be honest and unflinching, and that they succeed as music. "Guyville" hits the bullseye on both counts. In "Canary," Phair sings about an alienated housewife who "follows all the rules" - "I come when called, I come that's all." But in "Exile" the housewife doesn't just complain, she sets the house on fire. In "Help Me Mary" Liz dreams of revenge against her abusively snide male roommates. In "F--k and Run" she's not afraid to sing "I want a boyfriend...I want a guy who makes love `cause he's in it" as another one-night stand walks out the door. Phair takes full advantage of the freedom women had by the `90's to make music as interesting as they themselves were. Gender was no longer a limitation on the range of their artistic expression. Just like the boys."Exile in Guyville" was a great album when it came out in 1993. It still is a great album in 2008. Liz Phair would go on to make other good records, but never again would she achieve the combination of audacity, energy, and no holds barred song writing that she demonstrated in her first album. If you don't have it, you should get it . You won't regret it.
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